Invictus

Invictus (Thank you C.M. for the image)

Invictus

Out of the night that covers me,
Black as the pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.
In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.
Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds and shall find me unafraid.
It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate,
I am the captain of my soul.

My artwork “Invictus” was inspired by the Victorian poem with the same title by William Ernest Henley (1849–1903). It is an overpainted collage, with a dimension of about 70 x 50 cm.

The original artwork has been framed in a gold-coloured antique vintage frame and resides within a private collection in Thuringia, Germany, within a stately home. It was one of the pieces that weren’t really easy for me to part with, but it is good to know it in such a lovely place. There is a strictly limited edition of 23 artprints available at the Ateliershop, with different sizes to choose from. It is also possible to create a custom size art print.

Henley’s poem does tell you more about this artwork than any words of mine ever could. If you follow my writings, you might have found out already that I do not write these “work introductions” to explain my art, but rather to give you a background story and some basic data. I have never been much into poetry at all, most of it I find a waste of time to be honest, but this one is a piece that did strike a chord with me when I read it the first time, and it does again, any time I re-read it. It has been like a mantra for dark times for me ever since.

Invictus

Detail

Submission

“Submission” is my largest piece to date and measures 122 x 99cm (including frame).

This piece is probably the one that received the most attention from the audience over the years and raised the most questions. The original was only exhibited twice, the artprint version much more often and even made it to the USA. You can find some thoughts about “Submission”  as well in last year’s printed edition of Pfingstgeflüster (in German language), the author quite obviously visited the exhibition in Leipzig during Wave Gotik Treffen 2017. The original is NOT FOR SALE, it is only possible to buy a limited edition print (only 23 available).

I will for sure not explain the image itself to you, hell no, but answer the constant question of how it was done technically. This work is an overpainted collage, based on my own photographs. The original photographs also appeared as black & white images in my book release “Sintra” in 2005, which is long out of print. The photographs were cut apart and re-assembled to something completely new and then overpainted in a complete layer. The overpaint consists of acrylic paint and some blood. Yes, it’s my own blood. You can see some details in the images below. The frame is an antique original, dating back to around 1900.